C Phrygian Dominant is a jazz scale from the dark, expressive minor family. Phrygian with a major 3rd — 5th mode of harmonic minor. The Phrygian Dominant scale contains 7 notes: C, Db, E, F, G, Ab, Bb. With a formula of 1 - b2 - 3 - 4 - 5 - #5 - b7, it uses all seven notes of the diatonic system. This scale is suitable for intermediate players looking to expand their vocabulary.

The C Phrygian Dominant scale is constructed using the interval formula 1 - b2 - 3 - 4 - 5 - #5 - b7, which means it contains the intervals Root (1), Minor Second (b2), Major Third (3), Perfect Fourth (4), Perfect Fifth (5), Minor Sixth (b6), Minor Seventh (b7) above the root C. The notes are C, Db, E, F, G, Ab, Bb. Starting from the C major scale (C, C#, D, D#, E, F, F#, G, G#, A, A#, B), the Phrygian Dominant scale modifies the major scale with b2, #5, b7 intervals to create its minor quality. Key characteristics: 5th mode of harmonic minor. b2 + major 3rd = Spanish.

C Phrygian Dominant sounds dark, melancholic, and introspective. The minor third (Eb) is the defining interval — one half step lower than a major third — creating a somber, emotional quality. The minor sixth (Ab) deepens the melancholic feel. The emotional feeling is one of depth, contemplation, and emotional seriousness. This scale family is essential for conveying sadness, introspection, and dramatic intensity.

C Phrygian Dominant works best in Flamenco, Middle Eastern, Jazz music. Use it over minor chord progressions for dark, emotional melodies. It excels over i-iv-v progressions and power chord riffs. Compatible chords and progressions: 1. V7b9 2. bII - V7 Related scales: - Phrygian - Harmonic Minor - Double Harmonic Major

Practice Routine for C Phrygian Dominant: 5 minutes: Play each note of the C Phrygian Dominant scale slowly, one at a time. Listen carefully to the character of each interval. Ascending and descending through the scale. Focus on clean, even tone on each note. 10 minutes: Practice the scale with a metronome at 60 BPM. Play one note per beat ascending, then descending. Gradually increase to two notes per beat (eighth notes) and four notes per beat (sixteenth notes). Focus on timing precision. 20 minutes: Apply the scale over a backing track in C minor. Improvise melodies using only the Phrygian Dominant scale notes. Experiment with different rhythmic patterns, slides, bends, and vibrato. Focus on musical phrasing. 30 minutes: Learn the scale in multiple positions across the fretboard. Connect different positions with smooth transitions. Practice playing the scale over a chord progression (V7b9). Record yourself and analyze your phrasing. Common Mistakes to Avoid: - Playing too fast before understanding the scale's sound character - Not listening to the intervals individually - Ignoring the scale's unique character (each scale has a distinctive mood) - Skipping the descending practice — descending is equally important Intermediate Tips: Learn the scale in at least 3 positions across the fretboard. Practice connecting positions. Try improvising with only 3-4 notes at a time to develop melodic ideas.